The Friday interview: Stevie Spring
The News Review:
- The Friday interview: Stevie Spring
- Fogerty puts credence in rock revival
- Paradise by the Satellite-Radio Light
- Immigrant songs
The Friday interview: Stevie Spring
Guardian – Nov 30, 2007
Spring is making it her business to know these things. Future she says is a bit of a “boysy” company. It has more than 100 magazine titles and the biggest are in order Xbox 360 Total Film T3 fficial PlayStation 2 Digital Camera Classic Rock Total Guitar and Fast Car. “ne of the best games on the planet is guessing who works on what” she says. “Metal Hammer [a heavy metal magazine] is too easy to be fair because they all look like you would cross the street to avoid them. Long hair lots of punctures tattoos but they are the nicest people. The rock gods all look like rock gods; the other one that was really easy we got rid of our puzzles portfolio but all the women who did puzzles all day looked just like women who did puzzles all day.
Fogerty puts credence in rock revival
Denver Post – Nov 30, 2007
Responsible for loads of classic-rock hits including “Proud Mary” “Bad Moon Rising” and “Down on the Corner” the band split acrimoniously in the early ’70s and bad blood between Fogerty and the band’s record label Fantasy resulted in a nasty lawsuit. For decades Fogerty refused to sing CCR songs as he pursued a solo career but times have changed. Fogerty’s current “Revival” tour features more than a dozen CCR standards. Q: What’s it like being over your identity crisis? A: For a long time I disavowed my.
Paradise by the Satellite-Radio Light
Motley Fool – Nov 30, 2007
The rock epic tackles commitment indecision with Mr. Loaf putting off his paramour’s requests to settle down with his repeated appeal to “let me sleep on it” — until he caves in at the end (and regrets it). XM Satellite Radio (Nasdaq:.
Immigrant songs
The Age – Nov 30, 2007
Roots music fans know her as theGrammy-scooping queen of “newgrass” — and aren’t you thaticonic singer guy from the most electrifying blues juggernaut thatever rocked the planet?There’s the problem. What he really wants to know is would heand Krauss be free to pursue the superbly muted harmony of theirnew album Raising Sand an eerie distillation of ancientblues country folk and early rock’n'roll or would theirreception be compromised by the monumental shadow of Zeppelin?”You see I know how it is in Australia and I know how it’sbeen” Plant says. Again this is code: something aboutclassic-rock radio and the arrested development of the bogangroundswell. “But maybe it would work” he muses teasingly. Plant has made his arm’s-length relationship with his pastabundantly clear since Zeppelin died along with drummer JohnBonham in September 1980. Those words it must be said sit awkwardly with Zeppelin’shistoric reunion in London on December 10.
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